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Art Works
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Gender diversity
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United Kingdom
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Chevalier D-E-n returned, or, the Stock-Brokers outwitted
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Mademoiselle de Beaumont, or, the Chevalier d'Eon: Female Minister Plenipo. Capt of Dragoons
Collection: Art Works Institution: Yale University Libraries Creator: Date: Sep. 1777 Topics: Clothing, Engraving, Etching, Gender bending, Gender diversity, Military, Portrait prints, British Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée Description: Full length portrait of D'Eon dressed half as a man and half as a woman. The left side of the figure wears a full and elegantly styled dress, with hair piled high in the pyramidal fashion of the ti... -
Portrait of Abigail Allen; Portrait of the Female Husband!
Collection: Art Works Institution: Yale University Libraries Creator: Date: 1829? Topics: Drawings, Gender diversity, Marriage, Married people, Passing (Gender), Stealth (Transgender) Subject: Abigail Allen, James Allen Description: Captions below images read: "Portrait of Abigail Allen, Wife to the pretended James Allen, she resided with her Associate for more than 21 years, ignorant of her real sex! and what is more astonis... -
The assaut or fencing match
Collection: Art Works Institution: Yale University Libraries Creator: Rowlandson, Thomas Date: 1787 Topics: Etching, Fencing, Gender diversity, Sporting events, Sports, Stipple engraving Subject: Chevalier D'Eon, Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée, Joseph Bologne, King George IV Description: A 1787 fencing match between a man and a woman in the elegant rooms of Carlton House, London. In the audience stands the Prince of Wales who had arranged this fencing demonstration between Mademois... -
The Wife Turned Good-Man
Collection: Art Works Institution: Yale University Libraries Creator: Date: 1770? Topics: Ballads, Farmers, Gender diversity, Gender role, LGBTQ+ poetry, LGBTQ+ relationships, Marriage, Wood-engraving Description: In four columns with the title and two woodcuts above the first two; there are dividing ornamental rules between the first and second as well as between the third and fourth columns.